Cold Reality

Sometimes, we all just need a day.

So I let my hair default to Chia Pet, blasted Silversun Pickups through defunct iPod earbuds, and ventured into a hand-numbingly cold, blustery day.

Oh, Chia Pet hair. How unwieldy ye are.

Because, sometimes, we just have to walk it out.

***

Reconciling unemployment with everything I’ve been conditioned to think about success has been harder than I thought.

Even though I thought I knew better, I’ve realized my default definition of success has involved a 9 to 5, 8 to 4–whatever. You know, the American way: working yourself to the bone, even if you hate what you do, because that’s just how it’s done.

Because you’re told to keep your head down, your nose to the grindstone.

Because your parents did it. And their parents. And their parents’ parents.

Because that’s just how you derive from life the things that make it worthwhile.

***

Life throws shit at you. And you step in it. And you drag it around with you, stinking up everything.

But there comes a time when you have to scrape it off your shoes with as much grace as possible and move on.

Get that mess off your mental shoes.

Because the people who matter know better. They remind you that you’re not useless. That your contributions don’t have a price tag, and don’t come with a pay stub. And they never have.

***

Self-worth in our society has long been measured by bank statements, rather than by the degree to which what we do impacts others.

That’s what really matters. Not who contributes what or how much.

These relatively simple realizations smacked me across the face with more punch than the freezing wind and snow flurries as I walked around Raleigh today.

As I looked for answers in battered facades.

Battered, but not yet beaten.

In signs.

Posted.

In street notes.

Priority mail for "Witch Kult Friends." You'd think they'd at least get the spelling right.

In unfinished portraits.

Unfinished body. But aren't we all?

In masks.

Masked temporarily. But the beauty underneath is what counts.

In inner-workings.

Inner-workings.

In emergency exits.

Escaping halfway.

In pops of color.

Pops of color.

Not in me.

But that’s where they are.

Locked away, layered with dust. Waiting for today.

When the pity party ends.

When I realize that I did this.

That I’m happier for it.

That I’ll be fine.

Patina

Whether it’s the looming romanticism soon to be writ across the social media world in accordance with Valentine’s Day bollock-y “traditions,” or the injection of a little instability in my professional life, I’ve been contemplating the little things.

Like the three miniature Buddhas Andy snuck into our bedroom yesterday.

Two of which I sweetly recommended be removed from my sight. Immediately.

Kidding!

Stealthy Buddha

(Not really. But I let one stay.)

***

Actually, with my horrible job soon ending, and the great unknowns of the future looming, I’m finding that I’m embracing all things familiar and leaning on them like a crutch.

The worn.

The old.

The comforting.

All things I associate with home. Our apartment. The oasis Andy and I rush to at the conclusion of every single workday–that end point of our intensely agonizing commutes.

It’s not much, and it’s not a palace.

But I find comfort in its cracked plaster.

Cracked...the plaster, I mean.

Its worn, shiny hardwood floors and how they reflect the morning light.

Floored

Its solid doors and their glass knobs.

Solarized.

Its moldings.

Its railings.

The bits and pieces that distinguish it from the boxes-o-junk popping up mere blocks from us, and which will likely, one day, splinter it asunder.

***

And while our things add a bit of decorative boom!, it’s the space itself–enclosed by the cracking walls–that I most value.

That same sort of space (albeit a wee bit tinier) that we’re seeking as we Internet stalk California digs, salivating over apartments dripping with built-ins, amazing views, and Hollywood addresses.

The same aesthetic that our grandparents’ neighborhood blocks had–amalgamations of mortar and brick and clapboard and stone, all painstakingly nourished into sturdy, beautiful homes.

It’s the collision of the past with the present, with glints of the future in the rippling window glass.

It’s the familiar and the alien all wrapped into one.

***

And I guess I’m doing a poor job of drawing parallels between buildings and myself–that as life unhinges and shifts, I find myself gutting some of the old and trying to figure out what to fill the vacancies with.

I want to blend character and warmth with a bit of modern pizazz.

To keep my foundation and worn facade, but blow out a wall or two.

I guess I just want change.

With a little sepia curled around the edges for good measure.